The phrase "a font based on" is correct and usable in written English.
It can be used when describing a typeface that is derived from or inspired by another design or style.
Example: "The designer created a new typeface that is a font based on classic serif styles."
Alternatives: "a typeface inspired by" or "a font derived from".
And designers only seem more invested in bringing the vagaries of the homemade and the hand-drawn into the digital realm: a font based on Albert Einstein's handwriting will have variations that account for mood, material, and repetition (are any two "O"s of yours exactly alike?).
Einstein's handwriting will be the third typeface Geisler and Waterhouse will have launched on Kickstarter, the third design being Conspired Lovers, a font based on Geisler's own letters.
am I the only one who gets a slight adrenaline rush when entering a book shop?? !??? ??!? Life goal: have a font based on my handwriting and named after me.
They did, however, change the grammar and spelling from British English (the standard followed by Malaysia) to the American version and lettered the text in a font based on Lat's handwriting.
Connare, thinking that Times New Roman, everyone's go-to font, was rather schoolmarmish, designed a new font based on the speech bubbles in comic books.
Jonathan went so far as to create a custom font based on the typography in the cover to ensure consistency throughout.
A novel approach is introduced for the acoustic rendition of text font based on the emotional analogy between the visual (text font cues) and the acoustic (speech prosody) modalities.
Henrik Kubel's "Zadie" Font ** The designer Henrik Kubel has finally released his "Zadie" font, based on the lettering that graced the cover of "On Beauty".
Based on the abovementioned methodology, in the following sections, we describe the prosodic mapping of text font based on the dimensional theory of emotions in the case of style (bold, italics, and bold-italics) and font size.
In this work, we proposed a novel, modular and language-independent mathematical approach for the acoustic rendition of the document's font, based on the emotional analogy between the visual typographic cues and the speech prosody at the acoustic level.
The system tailorable behavior was evaluated with users considering two scenarios: changing the menu format from linear to circular, and automatically resizing the font based on the user's profile.
