Sentence examples for a flexible performance. from inspiring English sources

The third floor is a flexible performance space that can be used in multiple configurations for theatrical productions.

His final building there (recently transformed beyond recognition) was the University Theatre (1970), a flexible performance space for teaching and experimental productions.

The building will contain an art gallery, a state-of-the-art film screening room, a flexible performance space, and presentation space for readings, symposia and seminars.

This phenomenon is discussed and a weight factor is introduced into UMR to provide a flexible performance option for network operator.

Down in the basement, the 600-seat Zankel Hall, which opens in September, will provide a flexible performance space for recitalists and chamber ensembles, and the varied offerings of its inaugural season, weighted toward contemporary works, could not be more intriguing.

BRIC House, which is under the direction of Leslie Greisbach Schultz and occupies an old vaudeville theater into which the city has poured $41 million, also contains a flexible performance space where it will be possible to see dance and music from emerging and established artists largely for under $20.

Dell'Arte's music director, Chris Fecteau, drew a similarly flexible performance from the Metamorphosis Chamber Orchestra that included some fine — and idiomatically Mozartean — wind solos.

OMD's entry is Industrial Up-Cycling: the Pop-Up SoapBox, a movable flexible performance space made of recycled parts discarded by the aerospace industry.

Designed by the architect Thomas Leeser, the 1919 Strand Theater will now have a street-level presence, a contemporary art gallery, flexible performance spaces, a glass-walled television studio, an artist studio, a public lobby with a cafe and a media broadcasting center.

Kirill Petrenko leads an intense yet flexible performance with a consistently superb cast, including the commanding bass Anatoli Kotscherga (in his Met debut), the velvety mezzo-soprano Olga Borodina, George Gagnidze, Ildar Abdrazakov, Vladimir Galouzine and Misha Didyk.

In a focused yet flexible performance, the sopranos Mellissa Hughes, Sarah Brailey and Jane Sheldon; the mezzo Abigail Fischer; and the contralto Kirsten Sollek illuminated both the claustrophobia and the ecstasy at the heart of these medieval visions.