The phrase "a flexible performance" is correct and usable in written English.
It can be used to describe a performance that is adaptable or can change according to different circumstances or requirements.
Example: "The dancers showcased a flexible performance, adjusting their movements to the rhythm of the live music."
Alternatives: "an adaptable performance" or "a versatile performance."
Down in the basement, the 600-seat Zankel Hall, which opens in September, will provide a flexible performance space for recitalists and chamber ensembles, and the varied offerings of its inaugural season, weighted toward contemporary works, could not be more intriguing.
BRIC House, which is under the direction of Leslie Greisbach Schultz and occupies an old vaudeville theater into which the city has poured $41 million, also contains a flexible performance space where it will be possible to see dance and music from emerging and established artists largely for under $20.
More crucially, it enables a flexible performance steering by defining novel performance metrics adhering to the operator's requirements and goals.
This phenomenon is discussed and a weight factor is introduced into UMR to provide a flexible performance option for network operator.
In addition to providing a standard workload and metrics for MOM performance, the benchmark provides a flexible performance analysis framework that allows users to tailor the workload to their requirements.
Designed by the architect Thomas Leeser, the 1919 Strand Theater will now have a street-level presence, a contemporary art gallery, flexible performance spaces, a glass-walled television studio, an artist studio, a public lobby with a cafe and a media broadcasting center.
Kirill Petrenko leads an intense yet flexible performance with a consistently superb cast, including the commanding bass Anatoli Kotscherga (in his Met debut), the velvety mezzo-soprano Olga Borodina, George Gagnidze, Ildar Abdrazakov, Vladimir Galouzine and Misha Didyk.
In a focused yet flexible performance, the sopranos Mellissa Hughes, Sarah Brailey and Jane Sheldon; the mezzo Abigail Fischer; and the contralto Kirsten Sollek illuminated both the claustrophobia and the ecstasy at the heart of these medieval visions.
Mr. McAdams closed the program with an energetic, rhythmically flexible performance of Bernstein's Symphonic Dances from "West Side Story".
That is, developing and sustaining an EE requires co-created flexible performance measures that bridge the conflict between intra-organizational performance measures and collaboration by supporting the inter-operational collaboration needed in EEs.
120, No. 2) is closer to a true duet, but the contours of the piece still emerged only in Mr. Kissin's precise yet flexible performance, particularly in a noble second movement.
