The phrase "a fine representation" is correct and usable in written English.
You can use it to describe something that exemplifies or illustrates a particular quality or characteristic well.
Example: "The painting is a fine representation of the artist's unique style and vision."
Alternatives: "an excellent depiction" or "a great illustration".
This show is a fine representation of the subgenre's current style.
Sure, Fifa is a fine representation of the beautiful game, but what if you could talk to the ref?
Less Expensive Treat: La Rioja Alta Gran Reserva 904 2000, $89 ,a deal on a fine representation of the style.
Less Expensive Treat: La Rioja Alta Gran Reserva 904 2000, $89 ,a deal on a fine representation of the style.
It was the longest match of the first day of the Australian Open, and a fine representation of a dogged career that may be ending soon.
The RCA version is a fine representation of his broad, sweeping approach, recorded with a dynamic range so wide that if you can hear the beginning of the first movement's long crescendo and you don't pull back for the climax, you may blow out your windows.
TINs seem to be more appropriate to take streets into account, because it allows a finer representation of topographical discontinuities.
But the reputation of his works was what brought envy upon Phidias, especially that where he represents the fight of the Amazons upon the goddess's shield, he had introduced a likeness of himself as a bald old man holding up a great stone with both hands, and had put in a very fine representation of Pericles fighting with an Amazon.
But white-onion risotto, with fresh cèpes and roasted garlic, was an astonishingly fine representation of a basic dish; chanterelles with quail eggs and artichokes used a nice, light broth to meld earthy, mysterious flavors perfectly; pork belly and cockles with olive mashed potatoes was a nice play on a classic Portuguese dish, and worked beautifully.
The product of 200 years of patronage and collecting, it included masterpieces by Titian that had been commissioned by Philip II and Charles V, as well as an unusually fine representation of Flemish 15th- and 16th-century paintings.
In this story Dinesen creates a fine symbolic representation of the way humans, hemmed in on all sides by death, tell stories not merely to entertain, but to live.
