Sentence examples for a exhibition devoted to from inspiring English sources

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By Russell Maloney The New Yorker, November 13 , 1943P. 17 One of the local galleries recently had a exhibition devoted to a collection of paintings about the war.

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With an exhibition devoted to a deceased Viennese performance artist named Rudolf Schwarzkogler opening at the….

With an exhibition devoted to a deceased Viennese performance artist named Rudolf Schwarzkogler opening at the… PERFORMANCE about musical prodigy Evgeny Kissin.

With an exhibition devoted to a deceased Viennese performance artist named Rudolf Schwarzkogler opening at the Smithsonian's Hirshhorn Museum, in Washington, this week, Robert Hughes, the art critic of Time, is feeling rather queasy.

As seen in a small gem of an exhibition devoted to Hals at the Metropolitan Museum of Art, his subjects, now at least 340 years old and counting, appear to inhabit a physical and psychic space that is nearly continuous with our own.

Minneboo believes that the entire carriage belongs in a museum, ideally in an exhibition devoted to the history of Dutch colonialism that can provide commentary on van der Waay's "Homage from the Colonies".

But the museum loses some of its intellectual and ethical credibility in letting the Rubells and their former in-house curator, Mark Coetzee, completely determine an exhibition devoted to an artist whose importance remains speculative.

On view now is an exhibition devoted to Sister Gertrude Morgan, a self-taught, mid-20th-century painter, poet and gospel singer.

Imagine, though, the director of a photography museum refusing to countenance an exhibition devoted to Cecil Beaton or the amazing Vogue photographer Baron von Hoyningen Huené on the grounds that their clients were rich and glamorous.

It also has a well laid-out visitors centre and an exhibition devoted to Wilfred Thesiger, the British explorer who made the Gulf his home in the 1940s and twice crossed the Empty Quarter in southern Arabia.

At the Bluecoat, there will be an exhibition devoted to the 19th-century artist James McNeill Whistler, including a recreation of a work that was commissioned by the Liverpool ship owner FR Leyland – Harmony in Blue and Gold: The Peacock Room.

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