The historical debacle of reason's conflict with itself provides Kant with a dramatic exhibition of the vacillation of reason between two alternatives, neither of which it can accept (or dismiss) without dissatisfaction.
Because both sides to the cosmological disputes seem to be able to argue successfully against the opposite, Kant finds in the antinomies a dramatic exhibition of the "conflict" into which reason inevitably falls (and in which it will remain) so long as it fails to adopt his own transcendental distinction between appearances and things in themselves.
Here she awaits us, for one of the high points of a deliberately dramatic exhibition, as we progress in our understanding of the many traditions and dresses presented here.
He had a lawyer's aggressiveness and a loud baritone, with which he held forth in an unpredictable and dramatic exhibition of both reason and ridicule.
(32) However, the most dramatic exhibition of a concerted action is probably the in vitro reconstitution of tubular myelin when SP-A and SP-B are added to the mixtures of DPPC and PG in the presence of calcium.
Hirst had a dramatic solo exhibition at the ICA in 1993, and the buzz around these artists persuaded Norman Rosenthal to put on a show at the stuffy old Royal Academy, consisting entirely of their work, called Sensation.
Pietro Beccari, Fendi's president and chief executive, with just two years at the helm, felt that what he called this "sleeping beauty" in the brand's history should be brought into the light — although that is not quite the expression for this darkly dramatic exhibition.
Alongside period copies of Time magazine and the LA Times that decried Mexican American youth conspiring with Axis powers, the exhibition features a dramatic painting by Vincent Valdez that depicts a bloody bar-room brawl between sailors and zoot-suiters.
You can currently see one of his giant books, made from lead and cardboard, standing in the entrance hall of the Victoria & Albert Museum, a dramatic introduction to their intriguing exhibition, 'Blood On Paper: The Art of the Book'.
For PARALLEL, Aryz brings his work to the walls of a more conventional exhibition space, signaling a dramatic switch of artistic execution.
A main goal of the exhibition is to build support for a dramatic $650-million plan by Zumthor, the acclaimed Swiss architect, to remake LACMA.
