The phrase "a division to create" is correct and usable in written English.
It can be used in contexts where you are referring to a specific division or section that is intended to be created, such as in organizational or project planning.
Example: "The committee proposed a division to create a new outreach program aimed at community engagement."
Alternatives: "a section to establish" or "a unit to form".
Now Annapurna Pictures, the production company that made the film, is forming a division to create virtual reality content.
[C5.] Fox Unit to Start Division to Make Films for Teens The News Corporation's Fox Filmed Entertainment unit said it was starting a division to create films and other entertainment for teens and young adults.
Hoping to open a new front in the battle for virtual-reality primacy, Jaunt, a start-up that has focused primarily on technology, is launching a division to create original VR content.
MUTE expression always appears after an asymmetric division and before a symmetric division to create a new guard cell pair.
Dyke's other initiatives are to form a BBCcommercial division to create films, using a mixture of public, in-house and private funding.
He is hiring mathematicians and database administrators for a new division to create algorithms that will draw insight from data tracking consumer behavior.
Okamura also has set up a new division to create alliances with other companies to reduce technology-development risk in much the same way syndicated loans do for banks.
Ubisoft announced the creation of a new division to create the My Coach series on May 21, 2007, and that Pauline Jacquey, the producer of the Tom Clancy's Ghost Recon and Rayman series, would lead the division.
Equant will be combined with France Telecom's Global One division to create a new force in corporate telecommunications services.
In 2009 Mr Proglio suggested that EDF, which is Areva's biggest customer, should take control of the firm's reactor division, to create a fully integrated French nuclear-energy champion.
Dispensing with whole genres of commonplace contemporary pieties, Brown examines works from both sides of this division to create a dialectical mapping of different modes of Utopian aesthetic practice.
