The phrase "a distorted one" is correct and usable in written English.
It can be used to describe something that has been altered or misrepresented, often in a negative context.
Example: "The photograph was a distorted one, making it difficult to recognize the original subject."
Alternatives: "a warped version" or "a skewed representation".
Using the AD measure, we identified 15 countries where the method mix has evolved from a distorted one to a better balanced one, with AD values declining, on average, by 35% over time.
Cornelia Parker shows two slides (a distorted one and a healthy one) of lint and dust brushed from Freud's couch.
I want so much to get rid of this tummy.' Her mirror must, I think, be a distorted one, like an anorexic's, that sees only thin, to the exclusion of every other consideration.
The central idea is to track the change in particular statistics of an image while it traverses from being original to a distorted one.
But this gives only a partial glimpse into Hepburn's life, and a distorted one at that.
Rockstar uses the cities of GTA to hold a mirror up to American society albeit a distorted one that accentuates the worst that human nature has to offer.
The best fits were generally found with 'globular' scattering models based on a distorted one-dimensional lattice or the Percus Yevick model of liquid structure.
As a result, the jury saw a distorted, one-sided picture, and the trial was fundamentally unfair". Shapiro is asking that the conviction be tossed and that Sean be granted a new trial... one where he would have a better chance at justice.
It argued that the SAT replaced an aristocracy of wealth and breeding with an equally distorted one purportedly based on academic talent, generating a new elite that undermined equal opportunity.
Can you recommend a graduate program in African American history I could enroll in?" She shared with me her story that she had held certain views most of her life and admitted that her understanding of history was a very distorted one.
Like all the portraits in Poe's stories, it's a distorted and distorting one: notably absent is Spirits of the Dead, the 1968 triple-decker Poe pic with surreal, bizarre and perverse adaptations from Roger Vadim (Metzengerstein, with Jane and Peter Fonda, Louis Malle William Wilsonon) and, especially, Federico Fellini (Terence Stamp stalked by the devil in Toby Dammit).
