The phrase "a different piano" is correct and usable in written English.
It can be used when referring to an alternative piano, either in a literal sense (different instrument) or metaphorically (different approach or perspective).
Example: "After struggling with the old model, I decided to try a different piano to see if it would improve my playing."
Alternatives: "another piano" or "an alternative piano".
Warner Brothers used a different piano in the scenes in Rick's Café Américain.
Warner Bros. used a different piano in the scenes in Rick's Café Américain.
Lest you harbor the illusion that the performance by Mr. Britell that you are watching is the one you are hearing, midway through Mr. Bolcom's work, Mr. Britell stands up and walks off, turning up on another part of the compartmentalized screen to resume his performance in another room, on a different piano.
Time and a different piano healed all wounds, and the trio reconvened at Yo-Yo's 40th-birthday party, where they played the Brahms B major Trio -- like the Schubert, a touchstone since the early days -- after the other guests had trickled away.
We've got a different piano player now, we've got Bob Dylan's favorite British piano player, Geraint Watkins--he's fantastic; Georgie Fame's on organ, Albert Lee's on guitar, Terry Taylor's on guitar, two horn players--Frank Mead, and Nick Payn.
Yesterday, I wrote here about the cinematic implications of a pair of magnificent, radically different piano recitals (by Christian Zacharias and Beth Levin).
The members of this unusual family are the heroes of "The Araboolies of Liberty Street," a new children's opera about marching to a different drummer (as well as to different piano music).
(The program will be repeated on Tuesday and Wednesday with a different Prokofiev piano concerto, the Second, with Evgeny Kissin as soloist.
Mr. Aimard has the full measure of its vigor and its brilliance -- though it is not easy to know what is most impressive here: the vividness of so many different piano sounds or the exemplary directness with which they are executed, the explicitness that matches the music's.
This pattern is calculated by averaging the power spectral densities of different piano notes interpreted in various styles and with different pianos.
Mr. Wheeler pretty much avoided unified trio writing until the finale, sometimes letting the string players interact but generally keeping the piano on a different plane.
