The phrase "a critical estimation" is correct and usable in written English.
It can be used when discussing an assessment or evaluation that involves careful analysis and judgment, often in a scholarly or analytical context.
Example: "The researcher provided a critical estimation of the data, highlighting both its strengths and weaknesses."
Alternatives: "a critical assessment" or "a critical evaluation."
This paper presents a critical appraisal of current estimation methods for the Onsager coefficients L11, L22, and L12 for binary mixture diffusion inside nanopores using pure component diffusivity data inputs.
Consequently, we can make a more critical estimation of the number of genes coding for membrane proteins.
Yet it was a low point for his critical estimation.
But Insomnia and The Prestige are both very middling, and when the dust settles Inception will surely plummet in critical estimation.
It is probably safe to say that by the late 20th century he stood in critical estimation where Coleridge and Arnold had originally placed him, next to John Milton who stands, of course, next to William Shakespeare.
However, this dynamic evolution of experimental data (expansion of existing experimental data on drugs toxicity) leads to the problem of critical estimation of the data.
"La Clemenza di Tito" has also suffered in public and critical estimation because it came close on the heels of the three great operas Mozart wrote with the librettist Lorenzo Da Ponte: "Le Nozze di Figaro," "Don Giovanni" and "Così Fan Tutte".
Her position as the foremost American female sculptor of the century was unchallenged during her lifetime, although critical estimation of her Neoclassical style never afterward placed her in the first rank of artists.
The actuation to sensing crosstalk in the IS FEE could deteriorate the IS test mass (TM) sensing information, thus affect the TM control and the mission performance critical estimation of the TM net electrostatic charge level.
Unlike Meyerbeer's operas, whose critical estimation sank after attacks by Wagner, the high reputation of "Guillaume Tell," which was first performed at the Paris Opera in 1829, has been sustained by commentators perpetuating the glowing assessments by Berlioz and others.
