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Shot by the director Jean de Limur in what appears to be a continuous take photographed from three angles, the scene builds to an annihilating force as Eagels, slowly realizing that her husband has a dreadful punishment planned for her, strikes back as violently as she knows how.
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Finally, we prove that ( x, y ) is a coupled fixed point of F. Since F is a continuous, taking n → ∞ in (3.2), we get x = lim n → ∞ x n + 1 = lim n → ∞ F ( x n, y n ) = F ( lim n → ∞ x n, lim n → ∞ y n ) = F ( x, y ). and y = lim n → ∞ y n + 1 = lim n → ∞ F ( y n, x n ) = F ( lim n → ∞ y n, lim n → ∞ x n ) = F ( y, x ).
"Every company's going to have an occasional issue or a problem, but where they had a continuous issue of somebody taking advantage of their own fund, that really crosses way over the line".
Soon it becomes clear that Nance's strategy is similar to the one employed by Alejandro González Iñárritu in "Birdman": the impression of an entire film made as a single continuous take.
Exarchopoulos described a "horrible" continuous take in which Seydoux hit her over and over, leaving her raw.
Mr. Chiang said the original concept was to film each of the three visits from the ghosts as a single, continuous take.
Filmed in a single continuous take, the narrative is filtered through the real-time experience of one young woman, played vividly by newcomer Andrea Berntzen.
The Character Creation Screen Shot in a single continuous take, the hour-long opening sequence introduces the hero piece-by-piece, as the player agonises over race, class, hairstyle, skin colour and name, before finally settling on a Dwarf Warrior with yellow skin and a bright green afro named "uLkOr ThE sLaYeReR".
(Warner Archive Collection, $39.95, not rated) ALSO OUT THIS WEEK SILENT HOUSE The filmmakers Chris Kentis and Laura Lau ("Open Water") present a remake of the Uruguayan film "La Casa Muda," shot to appear as a single, continuous take in the manner of Alfred Hitchcock's "Rope," from 1948.
The human labour presented in The Colony reminded me of Brazilian photographer Sebastião Salgado's photographs of workers, and of Darren Almond's 2007 film Bearing, filmed in an almost continuous take, in which the artist accompanied an Indonesian worker as he descended the side of an active volcano in Java to harvest sulphur.
[Kechiche] shot with three cameras, so the fight scene was a one-hour continuous take.
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