The phrase "a constant scene" is correct and usable in written English.
It can be used to describe a situation or environment that remains unchanged over time, often implying a sense of familiarity or routine.
Example: "In the bustling city, the café on the corner became a constant scene of laughter and conversation, drawing in regulars every day."
Alternatives: "an unchanging backdrop" or "a perpetual setting".
The men and women he writes about are all, it is true, placed in unusual circumstances; they are all, in one sense or another, solitaries; they all struggle, in their different ways, through a life that is a constant scene of jungle warfare; they all become, to some extent, obsessive.
This constant scene was paired, in every trial, to a trial-unique variable scene, containing visual objects that could differ from those of the constant scene in a variety of properties (examples of a constant scene and some variable scenes that were paired to it in Simpson's and Gaffan's study [147] are shown in Fig. 3A).
By contrast, in Gaffan and Simpson experiments [147], rats were presented in each trial with a different scene comparison (i.e., a constant negative scene paired to a trial-unique variable scene; see Fig. 3A), thus forcing the animals to rely on the specific shape of the objects contained in the scenes, rather than on their low-level properties, such as brightness or area (see Fig. 3C E).
Both sets of cases require a more complex dynamic control due to the constant scene changes.
He adorned Dresden; welcoming foreign musicians and others, he gathered around him a large and splendid court, and his capital was the constant scene of musical and other festivals.
The programme book is little help, and though Lloyd's staging has its plusses - sharply colour-coded designs and costumes by Peter McKintosh, and telling use of video - its clutter and constant scene changes add to the confusion.
Under the assumptions of constant scene depth and zooming speed, we argue that the motion trajectories of all physical points are related to each other by a unique vanishing point and present a robust technique for estimating its D coordinate.
This conclusion was confirmed by requiring rats to discriminate scenes containing objects of the same shape category in matching visual field locations (e.g., ellipses with different aspect ratio and/or slight size differences; compare the constant scene to the last variable scene in Fig. 3A).
In a narrative in which dramatic tension remains a constant and scenes of graphic violence are only occasional, the author makes a point of describing in some detail what it might feel like to kill another person in wartime, and what it might be like to witness the killing of both a friend and an enemy.
Entropy is a constant threat, as scene after scene winds down into mumbling indifference.
Each rat was trained in a spatial two-alternative forced-choice task, in which two different stimulus scenes were displayed at the end of the two arms not currently occupied by the animal, and the rat had to learn to either approach a target positive-constant or avoid a target negative-constant scene.
