The phrase "a classical character" is correct and usable in written English.
It can be used to describe a character that embodies traits or qualities typical of classical literature, art, or culture.
Example: "In the novel, the protagonist is portrayed as a classical character, reminiscent of the heroes found in ancient Greek tragedies."
Alternatives: "a traditional character" or "a timeless character".
According to Stone, Todd is a classical character−"a soap character of unprecedented psychological complexity, a being whose feelings are intrinsically mixed and mostly unresolvable".
That was what I was being considered for, because I'm tall and blonde and classically trained, and that seemed to be the mold for what Thor was, he was to be a classical character.
The place of starch/polysachharide deposition is a classical character.
At the statue's unveiling, outside the National Museum of Scotland, Stoddart gently and eloquently expressed a de profundis for Edinburgh's classical character.
And, despite hearing wary wailing from anti-religious pundits, it is precisely the classical character of biblical narrative that lends a rendering its authority.
On the other hand, the classical character of the description allows to speak in terms of the object itself.
Nostalgic in its traditional classical character (one of the few instrumental adagios Schubert wrote), the opening theme of this movement is an elegant, touching melody that eventually undergoes remarkable tonal and cadential treatment, undermining the peaceful setting.
Buffini uses classical characters to create a contemporary political fable.
Her r?m?eads like a Who's Who of the greatest classical characters: Juliet, Cleopatra, Lady Macbeth, Medea, Phaedra... and Richard III. Yes, Seana McKenna, 54, and a 20-year veteran of the Stratford Shakespeare Festival is treading new ground this season.
A noted craftsman from the outset, Hecht seamlessly merged his highly polished poetic skill and wit with what some have called a profound sense of tragedy, supported by frequent reference to biblical and Classical characters and themes.
As several papers at the conference established, Cicognini took inspiration from the Spanish comedia, especially the plays of Lope de Vega; these are classical characters in name only, their behavior exhibiting symptoms of a decadent nobility.
