The phrase "a cello version of" is correct and usable in written English.
It can be used when referring to a specific arrangement or interpretation of a piece of music that is performed on the cello.
Example: "I recently discovered a cello version of Beethoven's Moonlight Sonata that I absolutely love."
Alternatives: "a cello arrangement of" or "a cello interpretation of".
The Tuesday concert began with a charming if lightweight concerto for harp and strings by Georg Christoph Wagenseil, which put a spotlight on Susan Jolles's graceful harp playing, then switched gears precipitately to a cello version of Massenet's "Meditation" from "Thaïs," accompanied by harp and strings.
Today, Steven Isserlis and Connie Shih present a Cello version of César Franck's passionately romantic Violin Sonata, composed as a wedding present for his friend.
Maya Beiser performs the cello version of this at the Barbican's Sound Unbound weekend on Saturday, 8pm.
The four-cello version of Led Zeppelin's "Kashmir" certainly distinguishes this from other Bartok collections.
Naturally, some of the drama inherent in this music when performed on a bowed instrument was lost in translation, but the compensation was flexibility: chords that are merely suggested in the cello version ring out freely on the guitar, and Mr. Sollscher played lines of counterpoint with an independence that can only be approximated on the cello.
Funnily enough there's a wrong version of a cello piece by Tchaikovsky too, and people were playing it for many years.
A chaladoo is a version of a….
Joining other children between the ages of 9 and 17 at Schloss Arenberg, a 19th-century palace with a handsome sculpture park, she learned the cello part for an abridged version of Verdi's opera "Falstaff," then performed it on stage alongside a cellist from the Vienna Philharmonic (whom she recognized from televised concert broadcasts).
Benjamin Verdery, always one of the guitar's grand individualists, contributed the day's most endearingly quirky performance, a version of the Cello Suite No. 6 (BWV 1012) that embraced dynamic extremes, pizzicato repeated sections and other flamboyant coloristic touches, and added flourishes that went well beyond conventional ideas about ornamentation.
A battered version of the.
A remixed version of "E.T".
