The phrase "a book of considerable" is correct and usable in written English.
It can be used when describing a book that has significant qualities, such as length, importance, or depth.
Example: "The author has written a book of considerable depth that explores the complexities of human relationships."
Alternatives: "a book of significant" or "a book of substantial".
The Midlands is also a book of considerable diversity, disinclined to play safe.
The result is a book of considerable interest not only as a memoir, but also as a detective story and as a social history of assimilation.
"These detours I'm making serve the end of filling time, for I really must pull of a book of considerable length, otherwise I'll be even more deeply despised than I am now".
Contemporary praise was not entirely universal; an anonymous review of Superstitions of the Highlands and Islands of Scotland included in The Scottish Antiquary, Or, Northern Notes & Queries (now The Scottish Historical Review) in 1901 described the work as "a book of considerable pretension" and stated it was in need of proofreading, citing several printing errors.
Compelling detail, tender, subtle colouring, economical text and pure emotion – loneliness, grief, hope and eventual joy – add up to a book of quiet but considerable power.
A book of drawings, "The Stage at Eve", had considerable success here, and an English publishing firm decided to bring it out over there.
The New Yorker, November 5, 1932 P. 13 A book of drawings, "The Stage at Eve", had considerable success here, and an English publishing firm decided to bring it out over there.
Sometimes it happens to books of considerable scholarly interest, as in the case of a liturgical calendar that David Gura, a curator at the University of Notre Dame, noticed on eBay, in 2012.
Entitled Parole in Libertá Futuriste Olfattive Tattili Termiche (Words in Futurist, Olfactory, Tactile, Thermal Freedom), it may not have the snappiest of titles, but the 27-page metal book is a thing of considerable beauty and exemplifies the mad dynamism and energy of the Futurists.
In the Mexican mining state of Guanajuato at the turn of the 19th century, the architect Francisco Eduardo Tresguerras, born in Mexico and self-educated from architectural books, proved to be also a painter of considerable talent.
