Engineered bio-fibers are defined as a blend of surface treated bast and a leaf fiber.
Becky, played with a sly blend of surface fragility and subterranean steel by Annie Parisse, at first appears to be a sad sack wanly dressed up with a corsage.
The aim of present work was to develop a microporous-controlled delivery system for theophylline via coating a blend of PCL and PEG on the surface of tablets, where PCL was the major component of film coating material and PEG was acted as a leachable pore-forming agent when contacting with an aqueous medium.
Where "The Disaster Artist" offers Franco the chance to do a vigorous, gleefully comedic impersonation of Wiseau, "The Room," with its blend of surface slickness and artistic clumsiness, is, for better or worse (actually, for worse), a vision of the world.
He is seated to the left of Mr. Shen's geometric floor, a smudgy blend of gray surfaces, triangles and parallel lines.
Also, blends of surface modified TiO2 nanoparticles and organic semiconductors cast from co-solutions can be used for synthesis of hybrid solar cells combining the unique properties of inorganic semiconductor and film-forming properties of polymers [45].
The alternate supply was an approximately 50/50 blend of filtered surface water from two separate (protected) upland impounding reservoirs.
Given a number of surfaces, which are often called primary surfaces, the purpose of blending is to generate one or more auxiliary (secondary) surfaces that create a smooth transition between the primary ones.
As the envelope of a one-parameter family of spheres can be also generated as the envelope of a one-parameter family of cones/cylinders of revolution (cf. [29]) we can reduce studying the blends of canal surfaces to simpler input primitives, i.e., to cones and cylinders.
The blend surfaces consist of canal surfaces and generalized offsets, which correspond to the edges and the faces of the medial transform structure, respectively.
Only in public libraries will you find that particular blend of colours and surfaces that bitterly recall the aesthetic sins of days past, specifically the era stretching from the 1940s to the 1970s.
