The phrase "a background score" is correct and usable in written English.
It is typically used to refer to the music that accompanies a film, play, or other performance, enhancing the emotional and narrative aspects of the work.
Example: "The film's emotional depth was greatly enhanced by a background score that perfectly matched the scenes."
Alternatives: "a musical score" or "an accompanying score".
In that space seemingly designed for introspection, with distant strains of a Bollywood tune playing like a background score, he mulled over his relationship with India through his camera lens.
4Kids hired several composers to write a background score for the North American release "for both artistic and commercial reasons".
To do so, we computed a background score distribution for each k-mer length by randomly permuting the intensity values and running Stable LASSO on the permuted values.
The film provided a new experience to Indian cinema-goers, as it used ample amounts of natural sounds with a minimalistic background score.
During the confrontation scene between Yash and Rahul Raichand, a "thundering background score" coupled with "360° panning shots" were used to build up melodrama.
In each room, screens relay evocative archive footage against a sinister atmospheric background score by Damon Albarn, so that you feel you are a character in some weird movie.
In order to determine a baseline or background score, we treated the entire set of 2,326 coexpression modules as describing all human disease (disease coexpression networks) and calculated the score for all 13,987 genes that appeared in any of these 2,326 coexpression modules.
This p-value was subsequently converted to a score by log10 transforming and multiplying by -10, yielding a background corrected score distribution where a higher score corresponds to higher enrichment on the array.
The only serious flaw is a mushy "Titanic -influenced background score (Holden).
A. R. Rahman provided the background score for a single sequence.
He said that technically the film was Linguswamy's his best, with Mathi's "eye-catching camera work", Antony's "crisp editing", Rajeevan's "exotic set designs", and praised composer Yuvan Shankar Raja, whose "foot-tapping" songs "scorch just like the desert sun" and were all "rocking", while his background score was a "perfect co-ordination with the narration".
