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With this narrative of revenge sacrosanct, a female Taken becomes contradictory: you would have a mother – more than that, a middle-aged mother – seeking vengeance.
Small problem with this narrative.
The problem with this narrative is that it isn't true.
But there are several problems with this narrative.
The problem with this narrative is that it's totally apolitical.
The difference with this narrative is that it deals with a crucial social issue.
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it's been saddled with in this narrative.
In terms of propensity to share the message with others, this narrative rated 77 to colorblind populism's 68.
Still, once Emily and Eli climb into the marriage canoe with Peter, this narrative goes off in a delightfully unpredictable direction.
Yet, with few exceptions, this narrative stays with the well-worn imagery of Exodus and the Jordan, and concurs with the idea that Obama's inauguration rounds off a historical cycle.
Women have collaborated with, even driven, this narrative.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com