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Now, at the age of seventy-six, Max performs with his own groups, including m'boom, a percussion ensemble, and the So What Brass Quintet.
By Martin Schoeller The New Yorker, June 5, 2000 P. 90 SHOWCASE about jazz drummer Max Roach...[A]t the age of seventy-six, Max performs with his own groups, including M'BOOM, a percussion ensemble, and the So What Brass Quintet.
If you're thinking that this looks like what Brass Monkey is up to, you're partially right – the idea of using your phone to controller a game on the desktop is similar, but as CTO Francois Laberge explains here, his company had in the past tested, but chose not to use, the approach used in the Chrome demo because of poor latency.
If you're thinking that this looks like what Brass Monkey is up to, you're partially right – the idea of using your phone to controller a game on the desktop is similar, but as CTO Francois Laberge explains here, his company had in the past tested, but chose not to use, the approach used in the Chrome demo because of poor latency.
(The website itself doesn't link to an explanation, it seems.) If you're thinking that this looks like what Brass Monkey is up to, you're partially right – the idea of using your phone to controller a game on the desktop is similar, but as CTO Francois Laberge explains here, his company had in the past tested, but chose not to use, the approach used in the Chrome demo because of poor latency.
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SHOWCASE about jazz drummer Max Roach...[A]t the age of seventy-six, Max performs with his own groups, including M'BOOM, a percussion ensemble, and the So What Brass Quintet.
What cheek – she's got a brass neck.
Why? Because, in my humble opinion (and maybe this is a soft southern lad's surrogate nostalgia for what a brass band represents) the Fairey Brass Band allow everything that makes brass band music so affecting to be ripped out of them.
He had an easy, tenable concept, combining a quartet with the Hypnotic Brass Ensemble, a brass-band octet he's been working with a little; it did exactly what street brass bands are good at, making a powerful arrangement of whatever music is put in front of it.
And to think what period brass playing sounded like in New York a decade or two ago.
We're kind of followers in the group -- we listen to what the brass is doing".
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com