Sentence examples for Visual notion from inspiring English sources

Especially regrettable is the ruining of a perfectly fine visual notion: re-creating the luridly grainy cinematography of those famous Hammer films ("Dracula: Prince of Darkness," "The Gorgon," "The Plague of the Zombies"), adding the in-camera, found-footage vogue gimmick of a student (Sam Claflin) recording it all on 16 millimeter.

Tells how many of our visual notions of the American wilderness derived from Catskill scenery, 19th cen.

Thinking in pictures is one of the very definitions of cinema, and one of the great advances in critical thought, in the past half century or so, is the recognition that these sophisticated and personal visual notions can come to life by way of often overlooked commercial productions (such as the low-budget ones that occupied much of Dwan's career).

"The more I played around with visual notions as if I were improvising like a jazz musician, the more I realized what I wanted to do as a painter, and how I wanted to do it".

Her research and teaching interests focus on seventeenth-century theater and performance practices, with particular emphasis on the representation of the body in early modern France, the history of visual emotions, the notion of the tragic, the theory and politics of theatricality, as well as the intersections of critical thinking and creative practice.

In summary, our study supports the notion that visual cognitive and visual affective ToM abilities are not impaired in bipolar patients with a high level of neurocognitive functioning.

Major issues include the function of art in religious devotion, moral, philosophical, and social concerns reflected in visual images, changing notions of both the artist and the individual in society, the roles of male and female, and the theme of love.

Opinions were also divided concerning the relation between visual and tactual notions of objects.

Some philosophers defended the position that the visual and tactual notions of a globe differ from one another, and can only be related by either experience or reason (the latter view was defended by Reid).

This expansive notion of visual rendering had revolutionary effects on sculpture as well.

The notion that visual development is subject to an early 'critical period' argues against this possibility.