In 2002, a two-part, two hour dramatization of Watership Down by Neville Teller was broadcast by BBC Radio 4. In the 1970s, the book was read by Roy Dotrice, with musical background — music by George Butterworth performed by Academy of St Martin in the Fields under the direction of Neville Marriner.
Later, during his diplomatic postings in Paris and London and his tenure as president, she assumed a more public role, so much so that the historian Joseph J. Ellis writes in his new book that "they were effectively regarded as a political team" — or as one television dramatization of their lives more crudely put it, "America's first power couple".
He also wrote plays, including "Between Two Thieves," a dramatization of the trial of Jesus, which he adapted from an Italian production.
The historiography of Catherine's reign has been dominated by two approaches: a dramatization and romanticization of her personal life, which was indeed colourful for the number and variety of her lovers; and the viewpoint of 19th-century liberalism, which took literally her self-description as a "philosophe on the throne".
It's not clear why Jill hooked up with Llewyn in the first place, because she seems to hate him and love Jim Justin Timberlakee) but her vacillation between the two is a dramatization of the third theme of the film: art versus business, but we'll get to that in a minute.
It's one of the most ingenious dramatizations of memory and the passage of time since the early films of Alain Resnais (such as "Last Year at Marienbad").
In Anatole Litvak's "Snake Pit" (1948), one of Hollywood's earliest dramatizations of mental illness, Ms. de Havilland's character, freshly recovered from a nervous breakdown, advises another troubled woman, "Don't be afraid to talk, and you'll get well, too".
Though the documentary and fictionalization ("Monster") don't share a director like "The Jinx" and "All Good Things" (Andrew Jarecki), it's interesting to analyze the way dramatization works across the two genres.
"A Raisin in the Sun" is one of the landmark plays in American theater history -- one of the first and finest stage dramatizations of black life in post-World War II America.
Many plays first staged as jingxi are dramatizations of the war novel Sanguo zhi yanyi (Romance of the Three Kingdoms), written in the 14th century by Lo Guanzhong.
