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"We just want to waste time like this," Reza said.
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The best example of this comes from Reza Ghadiri at the Scripps Institute.
This work was supported by grants from the Howard Hughes Medical Institute (ETS), the Reza and Georgianna Khatib Endowed Chair in Skull Base Tumor Surgery at UCSF (ATP), and the Michael J. Marchese Professor and Chair at Northwestern University ATPP).
Only later do you realize how smoothly Reza maintains this illusion.
A jokey comment in an email to my more-than-a-friend/less-than-a-boyfriend (I'll call him Reza) quickly snowballed into this plan for us to meet for a weekend at the Osho International Meditation Resort.
However, in Yasmina Reza's God of Carnage, this familiar stage shorthand is kicked aside when Tamsin Greig's character is sick in a spectacular fashion.
Back in Iran, Reza's family wanted to watch this news report.
Reza's play charts the course of this superficially civilised get-together, which soon degenerates into an evening of mutual dislike and name-calling.
The dispersion of ions in the groundwater of this terrain indicates nearly similar geochemical environment and climatic conditions (Reza and Singh 2009).
And maybe it is this self-confessed respect for language, this delight in its nuance and capacity for obfuscation, that gives Reza her ear for dialogue.
"Why don't we let Reza decide?" she suggested, volunteering me to be the referee in this prayer match.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com