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The key poses are computed over all sequences ( left({S}_1^G,{S}_{middots, {S}_{mid Gmid}^Gright) ) by using a k-medians clustering algorithm [32] with random initialization.
The principle consists of setting K to a value that can ensure a slight over-representation of the key poses.
The soft assignment vector o(t) describes the relative position of the vector in the space drawn by the key poses at frame t.
"But then I would shoot all the key poses that existed in whatever moves the digital double was doing, so that we had as much of that appliance in that lighting condition that we could get", said Nordby.
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The process of synthesis consists in generating and concatenating closed-loop cycles of the key-poses underlying in the TGA model, with or without variability, and interpolating them according to the represented musical meter, at the chosen metric resolution.
Then, we use Hidden Markov Models (HMM) [31] in a soft assignment based approach (cf. Section 4.2) where each HMM observation consists of a projection on spatiotemporal words (e.g., the key-poses); thus we supposed that these HMM will manage gesture structuration and actions succession (e.g., transitions between HMM states).
The bottom graph shows the proposed solution for generating the key-pose of metric class m with variability, by replicating the same variability observed in the recorded dance.
Literature in the field of dance ethnology and gesture/movement analysis points out that the universe of dance and movement extrapolate the notion of precision in space [1, 12] and that reasoning in dance is much more diverse than the key-pose paradigm [13].
Composite actions are decomposed into sequences of primitives based on the variations between the 3D key poses of consecutive frames.
On The Simpsons, the animators draw key poses and then let tweeners interpolate between those poses.
From the figure, we can see that the size of temporal steps has more influences than the number of key poses (vocabulary size).
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com