Sentence examples for Sound underpinning from inspiring English sources

If they grow, then expectations and stock price will grow with a sound underpinning rather than through idle speculation.

It provided a sound underpinning for the financial system and remains strong, appreciating against the dollar even in the past few months.

The category of models having a sound underpinning on theoretical understanding are not validated.

In the context of the social norms around tobacco among Indigenous Australian people and the high rate of smoking, homophily is a sound underpinning for this research.

Commonly (and perhaps understandably), the indicator of success in these teaching approaches is diagnostic accuracy with relatively little emphasis being placed on the need to develop a sound underpinning reasoning process.

Soloff threatened the glassware with his high notes, and his fiery up-tempo runs were little miracles of attack and subtle phrasing, while Steve Swallow's airy electric bass sound underpinned the show.

The result, "Untitled IV (atemlos)" (2011), was a stream of clicking, scratching, tapping and thumping sounds, underpinned with the motors' light whir.

Microphones on the instruments (flute, trumpet, guitar, percussion and clarinet) and live electronic processing added to the surreal, microtonal timbres of the opening section, an eerie march of wailing sounds underpinned by percussion.

Good healthcare waste management in a hospital depends on a dedicated waste management team, good administration, careful planning, sound organization, underpinning legislation, adequate financing, and full participation by trained staff.

In the circumstances, it almost seems superflous that the Civil Exchange thinktank has published its third and final audit of the big society; but it is worth reading as a guide to why and how the policy went so disastrously wrong, and a useful pointer to whether some of the sound principles underpinning it might be rescued in future.

Separated into lengthy movements over almost an hour and a half which left space for applause, the format permitted dramatic changes in tone, from blind alleys of noise over a dissonant, syncopated drum part to sludgy, nocturnal waves of sound effects underpinned by an almost subsonic bass rumble and some desperately uplifting trombone from Henriksen.