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Some sequences are imposingly abstract.
Some sequences are to be avoided, as well.
Some sequences and details of events have been changed".
Some sequences, such as the song about the surfeit of directions to point in, seem arbitrary.
Some sequences — well, maybe most sequences — are longer than they need to be.
Some sequences in "The Clock" were inevitable — at noon, "High Noon".
Some sequences work better than others, but they are all cliched.
Some sequences are sustained by high camp alone: the one about Porter being rejected for jury service; the unconvincing one about his pretending to be a holiday rep.
Some sequences are pretty hard, requiring you take a strategic approach, which is good, may lead to frustration among younger gamers.
Some sequences seem unintentionally goofy: in Paris the French pop star Johnny Hallyday sounds like a Presley impersonator on "Blue Suede Shoes".
Some sequences portray also problems which rarely have been faced in the BG subtraction literature.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com