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She occupies her characters fully and involvingly.
She occupies all the space given to her.
She occupies the highest rung on the playing priority ladder.
She occupies a sprawling, comfy farmhouse with its own marijuana nursery.
She occupies even her darker lyrics more shallowly than Winehouse did – and that's not a criticism.
She occupies a tiny room in Montparnasse, "with hardly any daylight – but I like this neighbourhood.
She occupies herself these days with projects like learning the piano and setting the multiplication table to opera choruses.
She occupies a dreamlike world of free-floating numbers and untethered objects: teapots, fetuses, knives, bright pink flowers.
She occupies the stage by right rather than default and captures all of Eva's iron-willed determination.
She occupies the first act clambering up curtains, biting the shins of the palace staff or looking expectantly at the fairies as they arrive to bestow their blessings.
She occupies the very room, with an austere fireplace, where the model for the painting (perhaps a Parisienne) pretty certainly did not pose.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com