She documents the experience of the aging Salvadoran community in Italy.
She documents the pink-flowered weed with photos and video, as well as in the form of a distilled scent.
She documents their growing relationship as she helps him find lost relatives and, in spite of his reluctance, helps him get off the streets.
She documents the impact of the blues on American culture and the part these artists played in the beginnings of feminism during the decades after slavery.
She documents in particular how this type of surveillance, aimed at innocent Muslims, creates an intense climate of fear and chills political speech.
She documents the politics of the Northern Government and its relations with the British and American forces who had occupied the ports of Murmansk and Arkhangelsk at the end of World War I.
She documents 19 separate evening news broadcasts between Oct. 7 and Election Day that mentioned Horton, often including his photograph, photos of his victims and/or images from the "Weekend Passes" ad.
She documents, in sometimes numbing detail, a system that is even more puzzling than the fraternal one: cattier, meaner, more rigid and structured (with an exhausting number of required meetings and rituals), more obsessed with wardrobe and dieting.
She documents each treatment using both photographic and written reports which we keep on file for future reference.
She documents selfie culture and "the power for young women to create, curate, and distribute their own imagery".
She documents this journey of transformation in her inspiring and courageously candid new memoir out this week, In The Body of the World.
