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She adopts and then sheds a fake American accent.
She adopts this approach even when choosing parts.
She adopts the child, pampers him and gives him a bear as a nanny and a genie as a servant.
She adopts a roughly similar policy of banterish deflection when prodded, mildly, to talk about her romantic life.
She adopts cats, buys her first house, moves in with her boyfriend: in short, she settles down.
She adopts this instructive tone every now and then, like someone who has hit Caps Lock by mistake.
She adopts a series of disguises — sinking deeper into deception, contemplating darker and darker deeds — in order to win back her high place and name.
She adopts a similar approach to the designers she chooses for her store: up-and-coming designers like Rachel Comey, Bernhard Willhelm and Christian Wijnants.
She adopts a comedic, stern teacher voice: "So I do say – 'Kids: Don't do it!'" The fallout was different for each of them.
She adopts a strict definition of family-friendly trails: they should be reasonably level and accessible to what "fun stuff" is nearby.
She adopts a similar approach in this new 70-minute piece, which offers multiple perspectives on the theme of immigration and national identity.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com