Sentence examples for Proto-garage from inspiring English sources

Taking the stage were representatives of Motown (Gaye, the Supremes, Smokey Robinson and the Miracles), the British Invasion (the Rolling Stones, Gerry and the Pacemakers, Billy J. Kramer and the Dakotas), surf music (the Beach Boys, Jan and Dean), first-wave rock 'n' roll (Berry), hard-core soul (Brown, Brill Buildingg pop (Lesley Gore) and even proto-garage rock (the Barbarians).

On the surface, the White Stripes would appear to be as clever and self-aware as any other underground rock act: a novel brother-sister conceit, kitschy outfits reminiscent of 1960's proto-garage acts and the use of just two instruments.

In short, nobody on a dancefloor cares much about how much you paid for your private-press, proto-garage 45 from Estonia.

It's fair to say they have far transcended tags like post-dubstep, future bass, or proto-garage (we just felt like barfing while typing those).

Menace Beach may project an across the Atlantic twang to their tone of proto-pop-garage but they too are another local band that sound both thunderous and pop-tinged, sometimes simultaneously.

Before ZZ Top became a blues-rock band known for gritty, boogie-based rhythms, sizzling guitar flights, humorous lyrics and luxuriously long beards, it was a Houston-based psychedelic proto-punk garage band called the Moving Sidewalks.

He works to weave coincidence, twins, faith and the nourishing blast of 60's proto punk -- garage bands with the keening Farfisa organ solos that you can't shake from your head -- into the fabric of a road picture.

The other was a cantankerous streak that runs from Detroit blues through the city's proto-punk and garage-rock, and arguably into the combative hip-hop of Eminem.

Scan her discography and you'll hear thrashing proto-grunge, demented garage, rattling blues, twanging psychobilly, soupy metal and brilliantly chaotic solos – a collision of 90s alt-rock at its most potent.

Dense with distorted riffs, wicked time signature shifts, dueling guitar solos, chant-along bridges and feedback-driven energy that draws on punk, garage, proto-metal, grunge and sludge rock, the eight wham-and-bam songs on "Deforming Lobes" extend about the length of an opening band's set — 40 minutes — but contain a universe of improvised moments.

Put out a record!" I wanted to piss on all the lame-o comps that mixed together psych noodling with garage and proto-bubblegum and I wanted to concentrate on the primal teen-band gronk.