It is conceived and directed by the renowned German stage director Gabriele Jakobi.
It is conceived as a campus, with separate structures for contemporary art galleries, an architecture museum, an auditorium and offices.
It is conceived in (and almost dwarfed by) a vast Scottish plain, like Peter Jackson's Middle Earth.
It is conceived of as a certain undemonstrable force, a Familiar or Genius, by whose impulses the man is guided, but whose counsels he cannot impart.
It is conceived in a docu-style similar to Bloody Sunday, his movie about the 1972 civil rights march in Northern Ireland.
It is conceived entirely in theatrical terms, even to having the Cornaro family (in marble) seated in opera boxes at the sides of the chapel.
It is conceived as "an unfolding dance, including the artists in different combinations at different moments, and extending over time," says Carlos Basualdo, the curator.
It is conceived on exactly the same Brechtian filmed-theatre basis as the first film Dogville, acted out on a sound-stage with streets and buildings represented by floor markings.
It is conceived as a series of big boxes jammed together at rakish angles, dipping and diving from 14 to 22 metres in height as it stretches along the highway.
It is conceived as an extension of the Intensive Medicine care and includes a permanent intensivist physician on 24/7 basis.
It is conceived that cocktails of defined epitopes or chimeric protein arrangements, including the target epitopes, may provide a rationale design capable to elicit convenient humoral or cellular immune responses.
