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Nothing in this recital of deprivation hints at any sort of opportunity knocking.
That bond extended to their work in this recital, which included a generous sampling of blithe duets by Mendelssohn and a clutch of headier selections by Schumann.
This allowed Uchida to transform both the return to the opening and then the magical chord into spellbinding moments, two among so many in this recital.
In particular, he loves ending a phrase with a clipped staccato chink -- a gesture so overused in this recital as to become a mannerism, then a failing, then a bore.
What was most remarkable in this recital – the final instalment of her Barbican residency – was how little the fundamental characteristics of her instrument have altered over the intervening years.
There were moments in this recital -- several places in the finale of Bartok's First Quartet, the very opening of the "Grosse Fuge" -- where they were so precisely together in their bowing that they made the music unusually lean and exact.
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Yet in another sense, this recital is an initiation.
He also gave an energetic performance of the Sonata No. 24 (Op. 78), but in some ways the key to this recital was in the Sonata No. 3 (Op. 2, No. 3), which he played between the two later works.
Not surprisingly, the Romantic repertory is his strong suit but for this recital, in addition to two works by Brahms, he will play solo Bach as well as Beethoven's famous "Kreutzer" Sonata.
Three of Claudio Monteverdi's later works conclude this recital, in which lutenist and theorbist Craig Marchitelli accompanies and also contributes a number of solo pieces by Kapsberger, Castaldi and Piccinini.
The Philharmonic clearly wanted as many people as possible to hear him in this chamber recital.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com