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In this anthology, you'll find works that deal explicitly with politics or atrocity (Samuel Bamford on the Peterloo Massacre, Anne Askew's account of being persecuted for heresy), as well as writing that speaks more obliquely to the authors' experiences of extremity (Blake's "Prisons are built with stones of Law" is considered in light of his presence at the Gordon Riots).
In this anthology, Gluckman, Forts, Forde, and Turner, four leading anthropologists of British school at that time, each wrote a paper on rites of passage.
Among Poe's fellow Americans in this anthology are Herman Melville and Charlotte Perkins Gilman.
Wrong, says Daniel Pipes in this anthology of random pieces going back to 1990.
There is something for everyone in this anthology that spans 300 years.
"His choices in this anthology have surprised me in the most intimate way," Leonard King writes in his foreword.
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The high regard in which this anthology has been held in China results both from its antiquity and from the legend that Confucius himself edited it.
In some ways this anthology is a triptych: deceased classic writers (Somerville & Ross, Kate O'Brien, Mary Lavin) sit alongside feted names from the last decade (Anne Enright) and the next generation of new voices.
Both of these were explored by Kafka, who is central to this anthology, in that there are three tales by him, and his rediscovery after the Nazi period has been a dominant and clearly benign influence on modern Austrian writing.
In his introduction to this anthology of blog posts and speeches by the late web pioneer Aaron Swartz, ethics professor Lawrence Lessig wrestles with the question of whether it's fair to anthologise a lifetime's worth of any person's writing.
In his introduction to this anthology, co-editor Jeff VanderMeer argues that the New Weird, developed since the 1980s but crystallised more recently by the popularity of China Miéville's Perdido Street Station, is a transgressive horror, a type of fiction repurposed to focus on the monsters and grotesquery but not the scare itself.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com