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In my Visual Literacy course students learn how to question everything.
"I'm very concerned with what's in my visual space.
"The windows live in my visual memory alongside the images of mother church.
The black-and-white images of anti-apartheid struggle "replaced memory for me in my visual image bank..
"We have a Child Protective Service case now and every time he's not in my visual site we're in violation".
It may just be that the little thing is indelible, a permanent resident in my visual memory, poised to pop up whether it's there or not.
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I use depth in my visuals even in 2-D, and found that 3-D is actually liberating".
A symphonic note lit three strands of deep-red light trickling like water in my right visual field.
It seems that the older I get, the more radical I am in my own visual practices.
I imagine them on top of me, feeling the warmth of their body...Sorry, I got a tad carried away in my on visual there.... Of course, that fantasy fades away rather quickly when I snap back to the reality of my disabled life -- my body that is stuck at 90 degrees in a sitting position, unable to lift or bend my legs in anyway to accommodate a good fucking.
However, nothing can make me revise that there was a blue and a red spot in the center of my visual field that then led to the (false) belief that there was a plane.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com