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In my session with him he spent 45 minutes philosophizing about what it means to be a guitarist.
In my session today, for example, I'll probably be ninety-five percent melody and five percent lyrics.
The fire graphic used in my session, for example, is a relatively new addition.
Yes – in my session there were seven adults (six women, one man), ranging in age from their 20s to 50s.
The questions and comments in my session suggested the soldiers in my company fell along a spectrum, with most of the soldiers reluctant to accept the change, but in such a way that I felt optimistic about their eventual acceptance of the new status quo.
The day after my presentation, I was having a conversation with a gentleman who was in my session.
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I started observing all of the participants in my sessions, and I noticed that when they were in the spotlight, they felt like the stakes were high, and they were vulnerable.
In my sessions with private clients, I often find myself working with traditional female archetypes.
(This is big topic that comes up a lot in my sessions with women and I will dive deeper into this in a later blog).
This concept has always been a struggle for me to accept, and certainly in my sessions with every client (athlete, corporation or private individual), I try to realign this belief.
So I found myself engaged in the book in an entirely unexpected way, urged to think more consciously about what I do, how I approach the participants in my sessions, and indeed how I conduct those sessions, whether or not to the satisfaction of their expectations.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com