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In my play the racism pill – Driscotol — uses this fear as its primary marketing strategy.
In my play Some Voices, someone pours petrol over themselves and tries to set it alight.
(In my play, she gives in to an impulse to eat some of her daughter's ashes).
In my play Escamillo is a futures trader and Carmen is a male sex worker.
In my play there are children as children and there are children as animals.
In my play Sing Yer Heart Out for the Lads, I wanted to explore the varieties of anglicised racism.
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As a father of two young children, I've had outbursts like this on more than one occasion as I sit in my Play-Doh- and Lego-littered family room, reading the latest news about measles and other preventable viruses making a global comeback.
A. I didn't lose confidence in my playing.
There isn't a moral or message in my plays.
There are still too many words in my plays.
That's what's starting to take over in my playing now.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com