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I was scripting my ideal 11 o'clock television newscast when I was rudely interrupted by this Magazine.
After 1969 at the BBC, I was scripting and recording programmes for the Open University, while the old gang from Features and the Third was still around - Garrard Greene, Gary Watson, Jill Balcon, from Agamemnon, Christopher Columbus, The Dark Tower, Faust - an amazing, adaptable team.
I've worked for a long time in the fiction world – I've written scripts, I directed a feature film before, but if I was scripting I don't think I could have actually done a better job in terms of creating the tension.
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So basically I was a script doctor.
I was off script, entertaining people – I felt the anarchy.
I was getting scripts, and I was like, 'Am I gonna get fired?
And I had no idea I was writing scripts in my head for everyone to follow!
"I was reading scripts that I liked, but I felt like I had atrophied in a way.
I've been adapting [Ann Patchett's] novel Bel Canto for a while; I'm doing script after script.
I know there are scripts that studios are trying to do, because now I get sent all of them.
I was excited to be script supervisor as I write for a film journalism site.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com