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I think of the writer and reader as almost Romantically (and romantically) linked.
As last trains and planes out of Paris are missed, I think of the writer in the early 90s who spent six days rattling around Paisley Park, Prince's Minneapolis nerve centre, waiting for an audience, only to have to speak to him on the phone.
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I'm not sure what shape these catastrophes would take, since everything happens so violently and quickly, but I think of the British writers who described the events of the Blitz, Green for one, and I feel I should have a try.
I think of the ghosts of the writers inhabiting this place and what they mean.
So, what did I think of this writer?
But I admire what I've read and think he is a lovely man, and it's nice to have a prize given to this particular kind of spokesman, I think, of the last of the Yiddish writers.
I think of the moment I decided to become a writer.
I thought of the activist-writer June Jordan's article "Waking Up In The Middle of Some American Dream," where she describes attempting to live in a solitary cabin in the woods to just think and write.
I thought of the way that a fiction writer will sometimes say that the character has taken over her pen, a notion that has always struck me as overblown.
QUESTION FROM FR: I couldn't help but think of the writers in the Charlie Kaufman/Spike Jonze film adaptation, and the two Nicholas Cages!
I think of vision as the writer's interpretation of reality or the interpretation he imposes upon it.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.
Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com