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I shoot for 10 o'clock.
I shot for about four hours, rotating models.
Because when I shoot for serious, I hit maudlin, and things get uglier from there.
When I shoot for clients it's digital, but my personal work is on film.
I saw the keeper moving to the near post, so I shot for the far post.
That is why I shoot for big, big challenges; big, big objectives, because if you shoot for little objectives you don't get much".
"Though I thought the pictures weren't as sharp, the press department and the magazines and newspapers I shot for were happy.
It was almost -25C degrees outside but I shot for three hours.
I shoot for everything on a platform and fulfil that guideline as I don't want to overstep that mark".
The magazines I shoot for and the brands I work with are driven by what's happening in the tech world.
I shoot for that.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com