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I look at objects in my house that my kids had when they were 3 and 4, and I pine for that time for a minute.
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SONIA: And if I pine for you, that's my business.
So much for Chekhov; now for Durang's impish deconstruction: SONIA: And if I pine for you, that's my business.
It's not that I pine for lamb.
There is a magic in the ceremony of putting a record on that I pine for in this modern world.
Enduring these staged photo ops from my seat in the stalls, I pine for the zero tolerance approach that Richard Griffiths, for example, made his own.
I pine for the days when a set came that easy.
"Dark house, by which once more I stand / Here in the long unlovely street"—the Tennyson pages of my Norton Anthology of Poetry transport me not to Hallam's London neighborhood but to Mercer Street, where I pined for "a hand that can be clasp'd no more".
Seriously, it's moments like this when I pine for privacy to think and write that make me question the value of open-plan workplace design.
All of which I'm actually a big fan of, but goodness, it does sort of make me pine for that 200-person (I'm guessing) crackerjack team working on VisualAge for ten years at IBM.
It's hard not to pine for that wagging tongue.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com