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I left wanting more.
But again, I left wanting more.
I left wanting to make documentaries.
I left wanting a time machine.
But I'm still not all that interested in dwarves and giants, so of them all, Wotan's the only one whose story I left wanting to follow.
Simply put, I left wanting to see more — more from modern playwrights like Enda Walsh and Brian Friel, and more from the great bloodline of Wilde and Synge, of O'Casey and Beckett.
By contrast, I left wanting to play the zombie shooting game Luke favours, which spills out of the screen into an all-dancing ensemble piece that is the best of the night.
I left wanting to do a StoryCorps interview with everybody I care about, but I moved to Taiwan soon afterward.
The city had everything my humdrum New England suburb lacked, and I left wanting much more.
There was nothing escapist about it; I left wanting to root for the people who made this film and all they represent.
The whole crew showed up to our interview: Barone, Lay, Tutti, Janna, and Cris are all in their 20s and look so cool that I left wanting to dye my own hair blue.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com