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I compared this to a notion of culture on the Web, in which anyone can post anything.
I compared this with scientific estimates of "up to a million men, women and children [who] had died in the inferno lit by Britain and the US".
Just to reassure myself though, I compared this day care center against one that I'd visited recently and which had horrified me as a "Lord of the Flies -like place where chaos reigned.
By George Packer October 31, 2008 Just after the Democratic Convention in Denver, I compared this election to 1980 — economic and foreign crises, deeply unpopular incumbent party, relatively unknown and untested newcomer — and predicted that, as with Reagan, Obama's performance in the debates would determine the outcome.
Just after the Democratic Convention in Denver, I compared this election to 1980 economic and foreign crises, deeply unpopular incumbent party, relatively unknown and untested newcomer and predicted that, as with Reagan, Obama's performance in the debates would determine the outcome.
Just after the Democratic Convention in Denver, I compared this election to 1980 — economic and foreign crises, deeply unpopular incumbent party, relatively unknown and untested newcomer — and predicted that, as with Reagan, Obama's performance in the debates would determine the outcome.
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I compare this with going on vacation to a resort.
I compare this photo to the one of the hands.
I compare this figure with the change in national head-to-head polls before and after the debate.
When I compare this with other extant dance classics also created in 1960, like George Balanchine's "Liebeslieder Waltzer," Frederick Ashton's "Fille Mal Gardée" or Alvin Ailey's "Revelations," I find "Crises" — which shows one man and four women in various combinations — much the most present-tense and modern.
When I compare this production to the Royal Ballet's current one (also new in 2005 and supposedly a reconstruction of de Valois's celebrated 1946-67 productIon), I am startled to see that it is the Bostonians not the Londoners who have taken the trouble to dance the unison ensembles with painstaking precision.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com