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According to Alan Pollack, the "approach-avoidance tactic" (i.e., the deceptive cadence) is encountered in the verse, as the leading-tone, A, appearing on the words "Always know", "I know when" "I think a No" and "I think I disagree", never resolves into a I chord (A in A key)) directly as expected.
The "I" chord is called the root or the tonic chord.
The introduction, following a I IV I IV vi V–I chord progression, creates a "wall of sound", as described by Mark Butler, against which the vocals emerge after nearly two minutes.
Each cadential six-measure phrase is constructed using a change of meter on the fourth measure and uses a I IV V VI chord progression.
Similar(56)
Both are structured similarly, she said, and share what is known as a "ii-V-i" chord progression. .
It uses four-measure phrases with a I-III-II-I-VI chord progression.
For me, I'm a changes guy, I like chord progressions and that has beautiful chord progressions.
The verses use a simple I-vi chord progression, alternating between a first inversion E major chord and a second inversion C# minor chord, played on the off-beats and switch to a IV-iii progression.
What happened was, I played the chord, and I also played every note in between.
The moment I play the first chord, I'm in the zone.
As soon as I knew enough chords I was throwing songs together.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com