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Read the interview here Like anyone who's read Boy George's autobiographies, I approached interviewing Marilyn with a degree of caution.
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I approach interviews a little differently.
I do approach interviews thinking: there's probably something they don't want to answer and it's my job to work out what that is and to ask them, which can be a bit uncomfortable.
I approached every interview as a learning experience.
Born in 1963, I approached each interview as an intergenerational exploration into a decade that I was too young to know, but which always fascinated me.
The album was so atrocious that I approached the interview with a sense of deep foreboding, dreading the moment when I'd be asked for my thoughts on their latest work.
Many paid audience members whom I approached for interviews declined not because they feared losing their job, but because they feared identifying their job at all.
"I approached that interview with a lot of trepidation, and he was every bit as difficult as I imagined," Suarez said of Naipaul, who was a guest on the NewsHour in 2000.
I mean, Jeremy [Paxman] insists he didn't ever say what he's quoted as saying ["Why is this lying bastard lying to me?"] but I don't approach interviews by taking that kind of line.
As I approached my final interviews for the position, we discovered that I was expecting, in my mother's euphemistic term, "a late-life bonus baby".
Josh wavered when I approached him for an interview about that.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com