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This may surprise viewers who are more familiar with his posed and polished studio photography of the '80s.
Here is Yinka Shonibare, casting himself as hero of his Diary of a Victorian Dandy, 1998, his posed photographs reminding us of the slavery that underpinned empire.
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His pose had changed since last week's game.
There's something in his pose.
"Balls hanging out, that's his pose".
For example, his pose is centrifugal, but not altogether.
His pose and expression are reminiscent of Vel?uez.
"That created a vibration against the informality of his pose.
And he models his pose on these Italian ideals from the previous century.
This analysis revealed that although Oswald appears off-balance, his pose is stable.
And for once his pose of sardonic indifference seems to cover a real fear.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com