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He establishes his Broadway bona fides in his opening number.
He establishes a factory to produce and distribute these mechanisms worldwide.
He establishes Winston-Salem clearly enough, particularly at its squalid edges.
He establishes the Lance Armstrong Foundation to benefit cancer research and cancer patients.
He establishes the work's prevailing mood in his opening scene for a restless ensemble.
He establishes Carthaginian opulence by stressing the sensuality of Berlioz's orchestral colouring.
He establishes, most of all, that he has choices and that he's in control.
He establishes reoccurring characters, engineers plotlines, paces for suspense and cuts back and forth between action and exposition.
He establishes so much audience rapport in his brief time onscreen that the film suffers from his absence.
He establishes a friendship with the fighter, who helps him overcome various personal problems to become a professional kickboxer and sportswriter.
He establishes that D′(H), the dual of D(H), can be identified with a certain space of generalized measures.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com