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For audience members of a certain era, there are also quicksilver allusions to "Happy Days".
For audience: video, mobile, and POV reporting.
For audience sympathy, go for the sad.
For audience shock, go for dramatic.
I'm more available for audience participation.
Stanhope is in no mood for audience participation tonight.
But it is the same for audience members.
Mary Hamilton is the Guardian's executive editor for audience.
Well, depending how I'm doing for audience numbers.
Is this all too obscure for audience consumption?
This is a slippery slope for audience and funders alike.
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CEO of Professional Science Editing for Scientists @ prosciediting.com