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In the background of a still life of oysters and pastries by Osias Beert the Elder (1580-1623) is a scene depicting Lazarus at the rich man's door, a New Testament tale that illustrates the contrast between carnal indulgence and eternal salvation.
Eternal teenagers?
Eternal mercies.
Eternal optimist.
Eternal damnation!
Eternal memory.
Eternal Pain: Gérard Depardieu.
"Eternal," he says.
Eternal Emblem As S.S.F.
Rome is a Bosch-style sewer of human misery and depravity where the poor clamor to purchase Vatican-approved certificates, called indulgences, that are supposed to save them and loved ones from eternal damnation.
It is refreshing to read an essay on ethics that challenges self-indulgence with a value system that is not only External but also Eternal.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com