Sentence examples for English modes from inspiring English sources

English modes of self-presentation have fascinated Michele since his youth.

It was during this period (c. 1811 20) that English modes for men became everywhere accepted as correct, even in Napoleonic France (the top hat, for example, became almost universal).

James Gibbs, (born Dec. 23, 1682, Footdeesmire, Aberdeenshire, Scot. died Aug. 5, 1754, London), Scottish architect whose synthesis of Italian and English modes, exemplified in his church of St. Martin-in-the-Fields, London, set a standard for 18th-century British and American church architecture.

December 23 , 1682Footdeesmire, Scotland August 5, 1754 London, England James Gibbs, (born Dec. 23, 1682, Footdeesmire, Aberdeenshire, Scot. died Aug. 5, 1754, London) Scottish architect whose synthesis of Italian and English modes, exemplified in his church of St. Martin-in-the-Fields, London, set a standard for 18th-century British and American church architecture.

Understatement is his specialism: an English mode of speech that combines self-protection, delusion and modesty.

Swiftkey's full-blown English language prediction engine is incorporated into the medical version of the app and it's easy to switch off the Medical language and switch on the general purpose English mode.

The excesses of the heavy English Restoration mode, nonetheless, were tempered by a plainer fashion in decoration.

Others include custom music and chants; GameFace, which lets people put themselves into games; and a secondary English commentary mode that was presented by Clyde Tyldesley and Andy Townsend.

This may sound affected, but Crace's excavations of English pastoral mode involve its prose –and poetry – as much as its beasts, its tackle and its tools.

Tolstoy wrote this enormous not-a-novel between 1863 and 1868, and it is thought that one of his early intentions was to write a domestic saga in the English, Trollopian mode.

By the time he arrived on Ischia he was known chiefly for three things: the astringent, jazz-inflected harmonies of his enfant-terrible youth ("Facade"); the rhythmic impulse of "Belshazzar" and the First Symphony; and the more measured tread of his English ceremonial mode (the coronation march "Crown Imperial").