Sentence examples for Current essay from inspiring English sources
Ruby, the current Essay Girl, has cannily figured out the winning formula: "First of all, you had to say that Cornelius Bunning was great..
Meghan Daum, author of the forthcoming collection The Unspeakable: And Other Subjects of Discussion, has her own reasons for celebrating the current essay vogue.
Devers hopes that other writers and archivists will share their stories of literary pilgrimages, and the site encourages submissions (a current essay describes a tour through James Merrill's Connecticut home).
But in fact, there is no shortage of contemporary writers all too willing to advance controversial opinions on big subjects, whether it is Nicholson Baker offering a pacifist reinterpretation of World War II in his new book "Human Smoke" or Martin Amis speculating about the libidinal hang-ups of radical Islamists in his current essay collection, "The Second Plane".
I've already mentioned the essay's combination of limited size and unlimited perspective - the microcosm/macrocosm duality that inspired William Hazlitt's essay On Great and Little Things as well as the title of my current essay collection, At Large and At Small.
The current essay attempts to combine a more traditional workflow for the examination of painted objects with techniques borrowed from the domain of computer science in order to yield the maximum amount of information and make that added knowledge more accessible to the researcher.
George Steiner: Tolstoy or Dostoevsky, An Essay in Contrast (1960) Isaiah Berlin: Against The Current, Essays in the History of Ideas (1979) Edmund Wilson: The Fifties: From Notebooks and Diaries of the Period, ed Leon Edel (1986) The Hedgehog and the Fox is available from W&N (£8.99).
CURRENT CINEMA essay about American audiences' fear of movies--especially movie violence.
The New Yorker, September 25 , 1978P. 137 CURRENT CINEMA essay about American audiences' fear of movies--especially movie violence.
We must notice details around us, while also blocking diversions and keeping our thought processes focused on our current poem, essay or book.
By Pauline Kael The New Yorker, September 25 , 1978P. 137 CURRENT CINEMA essay about American audiences' fear of movies--especially movie violence.
