Sentence examples for By dialects from inspiring English sources

The earliest American linguistic landscape was strongly influenced by dialects of the sort that even today are not highly esteemed by those with money.

The community, he said, is divided by geography, "by dialect, by religion, by looks, by food habits, by cultural habits".

Dundonian by dialect, Asian by birth, adolescent Jaimini is torn between cultures and obsessed by the spectre of Idi Amin, self-proclaimed last king of Scotland.

And some, such as Bavaria or Saxony, which call themselves "Freistaat", are highly aware of their own cultural identity highlighted by dialect, dishes and customs.

In the early decades of the century, regionalism was a strong element, particularly in the novel; and authors adopted language coloured by dialect, thus becoming identified with their region.

Directed by Randal Myler; sets by Beowulf Boritt; lighting by Jane Cox; costumes by C. David Russell; sound by Randy Hansen; dialects, K. C. Ligon; hair and makeup, Mitch Ely; production stage manager, Vienna Hagen; company manager, Sharon Hamlet; general manager, Abbie M. Strassler; musical direction by Albert Ahronheim.

The people of the cities developed new forms of urban speech, coloured by surrounding rural dialects, by foreign contacts, and by the written languages.

By Lynn Nottage; directed by Jo Bonney; sets by Neil Patel; costumes by ESosa; lighting by Jeff Croiter; sound by John Gromada; film by Tony Gerber; dialect coach, Stephen Gabis; projections by Shawn Sagady; production stage manager, Lori Ann Zepp; associate artistic director, Christopher Burney; production manager, Jeff Wild; general manager, Don-Scott Cooper. Don-Scott Cooper

By Allan Knee; directed by Bennett Windheim; sets by Dennis Eisenberg; costumes by Agneta Eckemyr; lighting by Izzy Einsidler; original composition and sound by Scott O'Brien; dialects, K. C. Ligon; associate producer, Michele Gutman; stage manager, Sandy Moore.

NIGHT AND DAY By Tom Stoppard; directed by Ernest Johns; sets by Robert J. Martin; lighting by Giles Hogya; costumes by Susan Soetaert; original music and sound by Ellen Mandel; dialect coaching by Amy Stoller.

By Tennessee Williams; directed by John Tiffany; sets and costumes by Bob Crowley; lighting by Natasha Katz; sound by Clive Goodwin; music by Nico Muhly; dialect coach, Nancy Houfek; movement by Steven Hoggett; production stage manager, Chris de Camillis.